Ruth Wilson is electric in this sexy and witty version of Hedda Gabler at the National Theatre. But the anachronisms and some odd staging choices let the production down.
Follow my blog with Bloglovin I’m looking for lifestyle and design bloggers who like theatre to follow. Are […]
What a cool lady. I turned up at the beautiful RIBA building having heroically made my way through […]
Stuck with what to get for the cultural friends in your life? I’ve got you covered.
WHAT A MONTH. Hello, blog reader. As many of you will know, this month I started at the […]
The audience at Shoreditch Town Hall were in stitches and I’m pretty certain this is the funniest Shakespearean show you’ll see anytime soon.
I leave the auditorium feeling undecided about all of the characters. Who I like, who I dislike, why. I think in the end that’s what is really interesting about this magnificent magnifying glass onto fractious family life, that no character is good or right or easy to understand.
I’ll hesitate to say that, in the first moments of Sleepless, I misjudged the capability of the enthralling company and the mysteries they have to tell us.
I have conducted with great diligence, sincerity and scientific reason extensive research into a series of formulae for correct theatre marketing copy. This might also be considered a guide to How to Write Theatre Marketing Copy.
We are transposed, in spoken word at least, to an urban jungle where each animal from the original story becomes a unique form of dance or movement.